Category Archives: Video

Shooting the Jaguar iPace in Mexico City

As a documentary DP and filmmaker, so much of my work centres around telling true stories and because of the responsibility not to distort reality I am often somewhat limited in the technical tricks I can bring to bear on productions. It is almost never feasible to bring a full lighting set up to a run and gun documentary shoot, and crew sizes are usually tiny. And while I love this way of working and wouldn’t change it for the world, sometimes it’s a nice change of pace to work on something several orders of magnitude more complex. So when Jaguar Motors asked me to work on the commercial for their new electric car in front of the Mexico City Formula E race, I was excited for the challenge.

Unlike the bare bones style of documentary production, there was no shortage of people or gear on this shoot. With dozens of people operating multiple cameras, drones, Steadicams, Movis, dollies, and reflectors, this was one of the more technically intensive projects I’ve worked on since moving to Mexico. Considering that the whole commercial was shot in one day, edited the same night, and transmitted the next morning to sports channels around the world, I think the output is more than impressive. I probably won’t abandon the doc world for commercials any time soon, but having the chance to work on something outside my comfort zone and pick up new skills is always an opportunity to be seized. Plus we got to race Tesla’s all day!

Also posted in Blog, commerical, Mexico Tagged |

When We Meet Again – Newest Americans Project

I’ve been an admirer of The Newest Americans project since Ed Kashi introduced it to me almost two years ago, and I’ve been following the work of it’s producers – Talking Eyes Media – since well before that. So when Julie Winokur and Talking Eyes reached out to me about working on a project together I jumped at the chance.

The news cycle has been so full of Trump’s anti-immigration rhetoric recently that it’s all to easy to lose perspective on the fact that these statistics actually represent real individuals and families. The current American administration seems to be pouring much of its energy into vilifying Mexicans and fortifying its borders to make sure that Mexicans stay to the South. But in reality the border is an artificial construction and there will always be people flowing over it in both directions. And as long as more opportunity and wealth exists in the United States, hard working Mexicans will follow. At the end of the day everyone is just looking to do the best for themselves and their families, and in this sense it is only logical for people to go where the money is. Yet because of the harsh immigration laws, the trip to the US is often a one-way affair and those who have made it across are unable to return home for fear of forever being locked out.

This is the premise of the story that Talking Eyes approached me with. A family of 10 sisters was divided between New York and their home state of Tlaxcala in Mexico and all but one had at one point gone to the US in search of higher wages. At the time of production the family was roughly split in half between the two countries and neither side was able to freely travel back and forth to see each other. In fact some of the sisters had gone more than a decade without seeing each other, and even when their mother died they were unable to return for the funeral.

This story follows Gaby, the only sister to have never left Mexico, as she gains special permission to visit her family in New York following the death of their mother. But more than that it is a story about family and love. Enjoy!

Also posted in Blog, Central America, Mexico

The Trade – ShowTime

When I first moved to Mexico and set up as a documentary filmmaker, one of the first questions anyone asked me was “have you seen Cartel Land?”. Once I’d watched it I knew why – it was one of the most interesting and hardest hitting documentaries I’d seen in a long time, and it did an incredible job of explaining the convoluted and complex relationship between drug cartels, the government, and the people caught in the middle. There were no heroes in this story, just truth.

So when the Academy-award nominated produced (and a fellow former Canadian tree planter) reached out to me about shooting a sequence for his unofficial follow up, I agreed immediately.

The Trade is a multi-part mini series set to launch on ShowTime in February, 2018, and from the advanced screenings I was able to see it is even more powerful than Cartel Land. The show follows a series of characters on both sides of the border as drugs and the conflicts they create impact their lives in unimaginable ways. I won’t try and explain all the complexities of a project that took years to do properly, but suffice it to say I was glad to play even a small role in making it happen. I don’t yet know which episode my work will feature in, but it doesn’t really matter – the show is so good that every minute is worth your time.

Also posted in Blog, Central America, Drugs, Mexico

Farming Heroin with National Geographic Channel

A few months ago I had the opportunity to work with a talented team at the National Geographic Channel on this story about the heroin trade in Mexico. For a photojournalist and filmmaker, working for National Geographic had always represented the gold standard in documentary and so I was more than happy to join the team.

The full episode is available online or directly from the National Geographic Channel, but I wanted to share this short preview of the episode. It’s not every day that you get to work with such a great group of TV and video professionals, and some of the lessons I learned on this production I will carry over into all my future projects.

Also posted in Blog, Central America, Drugs, Mexico Tagged , , , , , , , |

Post Earthquake Spirit in Morelos

After covering the earthquake damage in various zones of Mexico City, it became clear that the hardest hit areas were some rural towns closer to the epicentre of the quake where buildings were often made from adobe instead of concrete and rebar. Morelos, a state to the south of the capital, had reported multiple towns in critical condition, along with an unknown but growing number of casualties.

From the viewpoint of a videographer it was clear that we needed to go to Morelos, so a reporter from The New York Times requisitioned a car and we made the three hour drive to Jojutla.

As soon as we hit the town’s periphery it was obvious that the situation was critical. Roadblocks had been set up two kilometres away from the city centre to stop necessary traffic entering the damaged parts of the town and our vehicle was not allowed to pass. Only by hitching a ride with some locals in their beat up minivan could we get into the city, and for the rest of the day and into the night we tried to get a sense of the damage.

A local official estimated that 60% of the buildings had been damaged in some way, and many of them would never be fit to live in again. We met families picking their things from under the crumbled remains of their living room wall and others who had lost parents in the collapse. Entire street corners had fallen, bringing down as many as six homes at once. The devastation was massive, and the resources few.

But throughout it all the general spirit of the people seemed to be one of defiance and determination. “We will get through this,” was a phrase I heard more than once, and defined the mood of the day. Even though many of them had lost everything and the only home they’d ever known, they were already looking ahead to the rebuilding process.

“We are Mexico.”

Also posted in Blog, Central America, Disaster, Mexico Tagged , , , , , , |

Documenting the Mexico City Earthquake

When I saw the news that Mexico City and the surrounding states had been struck by a powerful earthquake on September 19th, 2017, I was in JFK airport returning from a few weeks of meetings and visiting friends. In those first hours it wasn’t clear what the extent of the damage was, and so the plane took off for Mexico after only a short delay. It was when we landed, however, and the pilot announced we were stuck behind a backlogged queue of nearly 40 other planes, that I realized that maybe the situation was worse that I had thought.

The videographer/filmmaker part of my brain told me to immediately send emails to my contacts in the media, and luckily was able to connect with The New York Times. By the time I got out of the airport and through the gridlocked city it was nearly 3 am, so I closed my eyes for a few hours and prepared to get up with the sun.

I was planning to go and investigate the site of a collapsed school in the south of Mexico City, but no sooner had I jumped in a car with a few colleagues did we realize there was an incredible drama unfolding just two blocks from my apartment.

This kicked off more than a week of frantic coverage in a city that I have come to call home. Documenting a crisis in my own backyard, albeit an adopted one, was a new and difficult experience, but ultimately for me the earthquake was a narrative of selflessness and community spirit rather than of despair.

Volunteers poured into the streets in the thousands, and ordinary citizens opened their doors to help in rescue efforts. While the event was a horrific tragedy for Mexico City, the solidarity and social awareness displayed by the people who live here was inspiring to say the least. If such collective spirit could be put towards reforming other sectors of the nation, Mexico would be an even better place to live in no time.

 

Also posted in Blog, Central America, Disaster, Mexico Tagged , , , , , , |

Mexico City’s Invisible Rivers – From the Air

Mexico City, beyond being one of the biggest cities in the world, is also one of the most at risk global capitals in terms of water security. This was not always the case, however. In fact, much of what is now Mexico City used to sit on top of Lake Texcoco – a body of water now almost completely covered over by the massive urban sprawl of 24 million people. But even after the lake was sacrificed to accommodate the city’s growing population, there was still a network of rivers that flowed through the city, providing irrigation, drainage, and green space.

Starting in the mid 1900’s, however, the rivers became so polluted from discarded trash and human waste, which when combined with the explosion of personal cars in Mexico led local government to the decision to enclose these rivers in pipes and pave over them with new roads. Some of the city’s main thoroughfares — Rio Churubusco or Rio de la Piedad, for example — still bear the names of the waterways that they replaced. While there is still some form of running water underneath these roads, they are now more sewer than river.

A woman uses an overpass to cross Rio Churubusco, a major freeway that was once a river.

A woman uses an overpass to cross Rio Churubusco, a major freeway that was once a river.

Recently there has been rising interest among architects and environmental activists to dig up these rivers and restore them to their original state, cleaning the water in the process and providing natural space for locals to enjoy. Unsurprisingly these plans have not been wholeheartedly embraced by the government which does not seem interested in spending large sums of money on projects with little promise of economic returns. Yet that hasn’t stopped people from drawing up plans for what such a project might look like and architecture firm Taller 13 has been among the lead voices in advocating the benefits of a city through which rivers once again flow.

 

Concept art from architecture firm Taller 13, showing what the Rio de la Piedad might look like if rejuvenated.

Since moving to Mexico City and starting a three year investigation into all facets of the city’s water situation, I’ve wanted to get a sense of the scale of these former rivers. Previously I’d driven along some of them and taken photos, but the real magnitude of the environment can’t be grasped from ground level. Instead I set aside my camera and travelled across the city with my drone and I think the footage gives a much better idea of both the size of the city and of the invisible rivers that were once above the surface.

Also posted in Blog, Drone, Environmental, Mexico, Water Tagged , , , , , , , , |

Laos: Behind the Scenes

As Southeast Asia’s only landlocked country, Laos has a special relationship with the Mekong. Over the course of our journey through the sparsely populated nation, we learned how this great river has given rise to great empires, fostered religion and culture, supported huge varieties of plant and animal life, and provided food and livelihood for millions of people.

Starting in the south at the Khone waterfalls, we travelled more than 1000 km north into the mountainous jungle near the Chinese border. Along the way we met hundreds of Laos people, from emigre coffee barons to young elephant handlers (known as mahouts), and everyone in between.

We explored the country’s complex and often precarious relationship with hydropower dams as it seeks to transform itself into “the battery of Southeast Asia”, and learned about the human impacts of this rapid development.

Ultimately our experience in Laos left us with mixed sensations of happiness and dread. There are few other places on earth possessed of the pure kindness of the Laos people, and it’s natural beauty is spectacular. Yet we also witnessed a country plagued by poverty, and we can only hope that in its rush to develop economically that Laos will not damage itself ecologically beyond repair.

We hope you’ll enjoy this short behind the scenes look at some of our most memorable moments on this leg of A River’s Tail, and keep checking back for weekly multimedia stories from the Mekong.

Also posted in A River's Tail, Blog, Laos, Photojournalism Tips, The Mekong River Tagged , , , , , |

Behind the Scenes: The Mekong in Cambodia

All three members of our team have called Cambodia home for the past few years, and so following the Mekong and its tributaries through the southeast Asian kingdom was a return to the familiar in many ways. Over the course of more than a month we traced the river from the border of Vietnam, along the Tonle Sap to the region’s largest freshwater lake, and north to the controversial Sesan II dam and the Laos border.

This short film is a behind the scenes look at how we worked in the field while following the Mekong through the Kingdom of Cambodia. Enjoy!

A River’s Tail is a year long collaborative multimedia journey exploring the Mekong river from sea to source. The following article originally appeared on the project’s main page and the images shown here represent only my part of the project’s creative output. To view the project as it was intended, I encourage you to visit the project’s main page by clicking here to follow the full journey.

Also posted in A River's Tail, Blog, Cambodia, Photojournalism Tips, The Mekong River Tagged , , , , , , |

Looking Back on the Mekong Delta

A man harvest the beach for clams on the coast of the South China Sea. The South China Sea is known as the Eastern Sea by Vietnamese.

A man harvest the beach for clams on the coast of the South China Sea. The South China Sea is known as the Eastern Sea by Vietnamese.

After months of planning and preparation, when production of A River’s Tail started in Vietnam no one on the crew knew quite what to expect. We each had our own preconceptions of what we’d find in the Mekong delta, and after extensively researching the region we knew that there were a wide range of environmental issues affecting the Mekong. Yet until we’d physically gotten on location they were nothing more than speculations.

We decided to do A River’s Tail in the opposite direction of what logic might dictate, by starting where the Mekong ends and tracing it back to it’s source nearly 5000km away in the Tibetan plateau. The reasoning behind this decision was that we wanted to have a clear picture of the myriad of ways the river facilitated ecology, economics, and culture before we saw its origins. Like being able to travel back in time to visit one of the world’s great thinkers when they were a baby, we hoped that grasping just how important the Mekong is in the life of the 60-odd million people who live downriver would allow us to better appreciate the magnitude of its importance.

And while we started the trip with open (albeit journalistically inclined) minds, the more we explored Vietnam’s Mekong delta, the more concerned we became about the health of the mighty river. Starting on the coast, where the Mekong empties into the South China Sea, we found fishermen hauling in nets clogged with plastic bags. Moving inland we visited shrimp farmers who were experiencing massive losses as their ponds became increasingly infected with unknown poisons carried by the river’s current, killing up to 40% of their shrimp. Later we would witness the widespread dumping of agricultural chemicals into the water table, rendering the river unusable for most domestic purposes and irritating the skin of those locals who would attempt to bathe in it. River fishermen were abandoning their boats and instead constructing massive inland fisheries, telling us that plying the Mekong had long since ceased to be a viable means of supporting a family.

A man traverses a line strung between offshore shrimp nets. The nets are manned by a remote crew that lives in stilted shacks 30 km away from land. Every 8 or 9 days the crew members will rotate, and the men living offshore return to land. Shrimp is a $4 billion industry in Vietnam and is one of the fastest growing sectors of Vietnam's seaford exports.

A man traverses a line strung between offshore shrimp nets. The nets are manned by a remote crew that lives in stilted shacks 30 km away from land. Every 8 or 9 days the crew members will rotate, and the men living offshore return to land. Shrimp is a $4 billion industry in Vietnam and is one of the fastest growing sectors of Vietnam’s seaford exports.

Vietnamese workers separate coconut husk fibres andleave the to dry in the sun. The ground husks will be used for a variety of purposes such as a low cost plant mulch and soundproofing material.

Vietnamese workers separate coconut husk fibres andleave the to dry in the sun. The ground husks will be used for a variety of purposes such as a low cost plant mulch and soundproofing material.

Vietnamese factory workers load wire baskets with coconut husks and carry them to nearby grinding machines at a coconut recycling facility near the city of Ben Tre.

Vietnamese factory workers load wire baskets with coconut husks and carry them to nearby grinding machines at a coconut recycling facility near the city of Ben Tre.

Ba, 84, is blind in both eyes and has not seen anything for 5 years. The family is too poor to consistently afford purified water and so often must rely on chemical laden river water from the Mekong - resulting in multiple ailments from stomach viruses to headaches to skin rashes.

Ba, 84, is blind in both eyes and has not seen anything for 5 years. The family is too poor to consistently afford purified water and so often must rely on chemical laden river water from the Mekong – resulting in multiple ailments from stomach viruses to headaches to skin rashes.

Young desciples of the Cao Dai faith enter a prayer service outside Can Tho, Vietnam.

Young desciples of the Cao Dai faith enter a prayer service outside Can Tho, Vietnam.

Fish jump from the water of an inland farm during the afternoon feeding near the city of Sa Dec, Vietnam.

Fish jump from the water of an inland farm during the afternoon feeding near the city of Sa Dec, Vietnam.

We didn’t set out to find a broken river, and it must be said that there are a multitude of global initiatives (both from the government and non-profit sectors) that are working to ensure the Mekong has a productive future. Yet we couldn’t help but leave Vietnam with a feeling of sadness caused by the realization that the Mekong river delta, against a backdrop of great visual beauty and the vast cultural warmth of the Vietnamese people, was a greatly diminished version of its former self.

Even though it would be impossible to completely convey the powerful feelings we experienced after weeks of travel, this short film attempts to bring together some of our final thoughts on what we found during the first leg of A River’s Tail.

A man dives into the Mekong river in the city of Ben Tre, Vietnam.

A man dives into the Mekong river in the city of Ben Tre, Vietnam.

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A River’s Tail is a year long collaborative multimedia journey exploring the Mekong river from sea to source. The following article originally appeared on the project’s main page and the images shown here represent only my part of the project’s creative output. To view the project as it was intended, I encourage you to visit the project’s main page by clicking here to follow the full journey.

Also posted in A River's Tail, Blog, Environmental, The Mekong River, Vietnam Tagged , , , , , , |