After months of planning and preparation, when production of A River’s Tail started in Vietnam no one on the crew knew quite what to expect. We each had our own preconceptions of what we’d find in the Mekong delta, and after extensively researching the region we knew that there were a wide range of environmental issues affecting the Mekong. Yet until we’d physically gotten on location they were nothing more than speculations.
We decided to do A River’s Tail in the opposite direction of what logic might dictate, by starting where the Mekong ends and tracing it back to it’s source nearly 5000km away in the Tibetan plateau. The reasoning behind this decision was that we wanted to have a clear picture of the myriad of ways the river facilitated ecology, economics, and culture before we saw its origins. Like being able to travel back in time to visit one of the world’s great thinkers when they were a baby, we hoped that grasping just how important the Mekong is in the life of the 60-odd million people who live downriver would allow us to better appreciate the magnitude of its importance.
And while we started the trip with open (albeit journalistically inclined) minds, the more we explored Vietnam’s Mekong delta, the more concerned we became about the health of the mighty river. Starting on the coast, where the Mekong empties into the South China Sea, we found fishermen hauling in nets clogged with plastic bags. Moving inland we visited shrimp farmers who were experiencing massive losses as their ponds became increasingly infected with unknown poisons carried by the river’s current, killing up to 40% of their shrimp. Later we would witness the widespread dumping of agricultural chemicals into the water table, rendering the river unusable for most domestic purposes and irritating the skin of those locals who would attempt to bathe in it. River fishermen were abandoning their boats and instead constructing massive inland fisheries, telling us that plying the Mekong had long since ceased to be a viable means of supporting a family.
We didn’t set out to find a broken river, and it must be said that there are a multitude of global initiatives (both from the government and non-profit sectors) that are working to ensure the Mekong has a productive future. Yet we couldn’t help but leave Vietnam with a feeling of sadness caused by the realization that the Mekong river delta, against a backdrop of great visual beauty and the vast cultural warmth of the Vietnamese people, was a greatly diminished version of its former self.
Even though it would be impossible to completely convey the powerful feelings we experienced after weeks of travel, this short film attempts to bring together some of our final thoughts on what we found during the first leg of A River’s Tail.
A River’s Tail is a year long collaborative multimedia journey exploring the Mekong river from sea to source. The following article originally appeared on the project’s main page and the images shown here represent only my part of the project’s creative output. To view the project as it was intended, I encourage you to visit the project’s main page by clicking here to follow the full journey.